{"id":75,"date":"2014-08-23T12:41:15","date_gmt":"2014-08-23T12:41:15","guid":{"rendered":"http:\/\/www.laurenceaegerter.com\/newsite\/?page_id=75"},"modified":"2026-02-03T12:36:20","modified_gmt":"2026-02-03T12:36:20","slug":"writings","status":"publish","type":"page","link":"https:\/\/laurenceaegerter.com\/artwork\/writings\/","title":{"rendered":"Films & Writings"},"content":{"rendered":"

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by Fannie Escoulen<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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by Laurence A\u00ebgerter<\/div><\/div><\/div><\/figcaption><\/figure><\/a><\/div><\/div>
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FILM (10 min.): Laurence A\u00ebgerter: Exhibition 'Ici mieux qu'en face' at Mus\u00e9e du Petit Palais, Paris.<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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FILM (6 min.): MAMAC - [ RACONTE MOI UNE \u0152UVRE ] Laurence A\u00ebgerter \"Le Songe d'Ovide\"<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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FILM (11 min.): Epic of the Mind, Museum of the Mind, Haarlem.<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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FILM (8 min.): Diogenes, Machinery of Me, Arnhem.<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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FILM (1:28 min.): Soul Imprints at Galerie Pentcheff, Marseille.<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Actes Sud, 2020 \/ Laurence A\u00ebgerter, Ici mieux qu'en face, monograph, Fannie Escoulen & others<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Art Press, 2025 \/ L'image Tiss\u00e9e, Etienne Hatt<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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\"Tableau,<\/div><\/div>
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Tableau, 2025 \/ Interview by Marjolein Sponselee\n\"Wandering through the human mind\"\nArticle in Dutch and translated in English <\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Nice Matin, 2025 \/ Histoire et Art Contemporain Dialoguent au Palais Lascaris \u00e0 Nice, Chlo\u00e9 Rouil<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Lib\u00e9ration, 2024 \/ Laurence A\u00ebgerter aux marches du palais, Gilles Renault<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Anne Malherbe, 2024 \/ Essay commissioned by Galerie Binome<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Arnon Grunberg, 2024 \/ Essay commissioned by Museum of the Mind Haarlem<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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L'Humanite\u0301, 2024 \/ Dans le vieux Nice le Mamac change de d\u00e9cor, Pierre Barbancey<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Giulia Pentcheff, 2024 \/ cataloque inaugural Galerie Pentcheff<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Elle X Paris Photo, 2023 <\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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The Good Life, 2023<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Christiane Vollaire, 2023 \/ Essay commissioned by the CNAP<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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H\u00e9loise Con\u00e9sa, 2023 \/ exhibition cataloque Biblioth\u00e8que nationale de France<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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T\u00e9l\u00e9rama, 2022 \/ Le guide culturel du Grand Paris<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Devenir Fleur, Rebecca Fran\u00e7ois & Helene Guenin, 11-2022 \/ Healing Plants for Hurt Landscapes<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Sonia Voss, 2022 \/ Essay on the occasion of the exhibition \u2018Eloge du double\u2019<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Am\u00e9lie Lanvin, 2022 \/ exhibition catalogue Mus\u00e9e des Beaux-Arts de Dole (F)<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Blog Le Monde, 2021 \/ Laurence A\u00ebgerter, l'infiltr\u00e9e au mus\u00e9e, Marc Lenot<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Le Monde, 2021 \/ A Paris Photo, les images passent dans une autre dimension, Claire Guillot<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Patrice Galiana, 2021 \/ Exhibition review 'Ici mieux qu'en face'<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Aficionado al Arte, 2021 \/ Laurence A\u00ebgerter, una infiltrada en el museo, Marc Lenot<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Kunstschrift, 2021 \/ D\u00fcrer als muze, Huigen Leeflang<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Revue de Marseille, 2020 \/ Laurence A\u00ebgerter au Petit Palais, Patrick Boulanger <\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Conversations 3 EN, 2020 \/ Laurence A\u00ebgerter, R\u00e9mi Coignet<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Conversations 3 FR, 2020 \/ Laurence A\u00ebgerter, R\u00e9mi Coignet<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Merel Bem, 2021 \/ Focus Fotomagazine<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Lib\u00e9ration, 2020 \/ Laurence A\u00ebgerter, trames du temps qui passe, Diane Lisarelli <\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Transfuge, 2020 \/ La chercheuse d'art, Damien Aurel<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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\"Artpress,<\/div><\/div>
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Artpress, 2020 \/ Laurence A\u00ebgerter 'Ici mieux qu'en face', Camille Mancy<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Intervalle, 2020 \/ C\u00e9l\u00e9brer l'imagination, par Laurence A\u00ebgerter, plasticienne iconographe, Fabien Ribery<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Le Journal des Arts, 2020 \/ Le Petit Palais po\u00e9tis\u00e9 par Laurence A\u00ebgerter, Christine Coste<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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T\u00e9l\u00e9rama, 2020 \/ D\u00e9tournement de chefs-d'\u0153uvre, Fr\u00e9d\u00e9rique Chapuis<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Nanda Janssen, 2020 \/ \u2018Night Hunt (Wilde Sau, Zahme Sau)\u2019 at Machinery of Me, Arnhem<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Le livre d'images, images Vevey 2019 \/ Photographic Treatment <\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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L'oeil, 2020 \/ L'oeil en mouvement Portraits, Christine Coste<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Artpress hors-s\u00e9rie, 2019 \/ Le Livre de Photographie, Un objet intertextuel, R\u00e9mi Coignet and Fannie Escoulen<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Hi Peggy, 2020 \/ Laure A\u00ebgerter, Haidy Blanch<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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The Arts of Laurence A\u00ebgerter, 2019 \/ Essay by Yasuo Imai (in Japanese)<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Blind, 2019 \/ Rencontres d'Arles, Laurence Aegerter magicienne de l'ombre<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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The New York Times, 2019 \/ 6 Photographers to Look Out For at the Arles Festival<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Le Monde, 2019 \/ Arles recherches, Marc Lenot, Lunettes Rouge<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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NRC, February 2019 \/ Compositions Catalytiques & Color field Phaedra<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Artpress, 2019 \/ Laurence A\u00ebgerter The Art of Escape, Fannie Escoulen (English and French)<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Les Rencontres d'Arles 2019 \/ Cath\u00e9drales Herm\u00e9tiques<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Sweethearts, 2018 \/ Tristes Tropiques: illustrations hors texte<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Beautiful Distress, 2018 \/ Compositions catalytiques<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Photomonitor, 2018 \/ Photographic Treatment<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Mockingbird, August 2018 \/ Compositions Synesth\u00e9tiques <\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Big Botany, Spencer Museum of Arts \/ Healing Plants for Hurt Landscapes, 2018.<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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De Volkskrant, April 20 2018 \/ Photographic Treatment<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Gradhiva, Sur le Vif, 2018 \/ Tristes Tropiques<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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See All This #9, March 2018 \/ Elasticity of Presence<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Salon Magazine, April 2018 \/ Rome Eternelle<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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NRC, Hals als inspiratie voor wetenschap en kunst, April 9 2018 \/ Elasticity of Presence<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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DenkBeeld Magazine, February 2018 \/ Photographic Treatment<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Haarlems Dagblad, February 2018\/ Elasticity of Presence<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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ART.ES, January 2018 \/ Photographic Treatment - All is in all and it has always been blz 51-55<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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ART.ES, January 2018 \/ Photographic Treatment, page 122-127<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Forum f\u00fcr Fotografie DE, Norbert Moos, May 2017 \/ Arithmetik der fotografischen Wahrnehmung<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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De Volkskrant, December 15 2017 \/ Photographic Treatment \u00a9 Daily Photo Dose, page 8<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Le Saint Joseph charpentier de Georges de La Tour, 2017 \/ R.F.1948-27-1602041545 (de la Tour)<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Unseen, Autumn 2017 \/ Photograhic Treatment, page 124-125<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Het Financiele Dagblad, 2017-08 \/ Healing Plants for Hurt Landscapes<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Jerome Dupeyrat Perspectives Contemporaines, interview \/ page 11-19<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Noorderlicht, October 2017 \/ Photographic Treatment, page 27<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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De Volkskrant, om de Tuin, 2017 \/ Healing Plants for Hurt Landscapes<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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FOAM Magazine #44 Kim Knoppers, 2016 \/ Healing Plants for Hurt Landscapes <\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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GUP magazine nr 48, 2016 \/ Healing Plants for Hurt Landscapes<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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VIS A VIS Jaeger le Coultre, 2016 \/ Het Apparaat<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Festival Images Vevey, September 2016 \/ Photographic Treatment<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Made in Amsterdam, March 2016 \/ KP23<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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NRC Next, Sandra Smets, 01-02-2016 \/ Cath\u00e9drales<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Netherlands yearbook for history of art, volume 64, a.o. Frits Scholten, 2016 \/ Het Apparaat<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Quickscan NL#02 2016 \/ Cathedrales<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Unseen magazine, 2015 \/ Healing Plants for Hurt Landscapes<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Sophie Wright, 2015 \/ LEVIATHAN<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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NRC Handelsblad Sandra Smallenburg 17-11-2015 \/ Healing Plants for Hurt Landscapes<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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NRC Handelsblad, Bianca Stigter, 22-10-2015 \/ Cathedrals at Sunset<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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NRC, Raymond van de Boogaard, 08-09-2015 \/ LEVIATHAN<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Mister Motley, Laurence A\u00ebgerter, 2015 \/ Decompositions<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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LC Frysl\u00e2n, Kirsten van Santen, 28-03-2015 \/ Healing Plants for Hurt Landscapes<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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\"Het<\/div><\/div>
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Het Parool, Kees Keijer, 2015 \/ Cathedrals \/ at Sunset<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Photographie et M\u00e9moire, 2015 \/ Het Apparaat<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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FOAM Amsterdam, Kim Knoppers, introduction on the solo exhibition 'Cath\u00e9drales', 2014 \/ Cath\u00e9drales and Cathedrals at Sunset<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Art Affairs Gallery, Antoinette de Stigter, 2014 \/ Cath\u00e9drales<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Les arts d\u00e9coratifs \u00e0 Marseille, Ch\u00e2teau Bor\u00e9ly, 2014 \/ Longo Ma\u00ef<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Art in Print Magazine, 2013 \/ The Somnambulic Archive<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Paper Journal (online), Louis Porter, 02-12-2013 \/ Tristes Tropiques: Illustrations hors texte<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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City Magazine, 2012 \/ Opening Soon \/ Opening Now<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Temporary Stedelijk nr.4, Roos Menkhorst, 2012 \/ Hermitage, the Modernists<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Arte Al Limite, Angelica Navarro, 2011 \/ Le Louvre en Hermitage, the Modernists<\/div><\/div><\/div><\/figcaption><\/figure><\/a>
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Kunstbeeld, Anna van Leeuwen, 2011 \/ Hermitage, the Modernists<\/div><\/div><\/div><\/figcaption><\/figure><\/a><\/div>