{"id":77,"date":"2014-08-23T12:41:50","date_gmt":"2014-08-23T12:41:50","guid":{"rendered":"http:\/\/www.laurenceaegerter.com\/newsite\/?page_id=77"},"modified":"2025-01-21T16:37:49","modified_gmt":"2025-01-21T16:37:49","slug":"biography","status":"publish","type":"page","link":"https:\/\/laurenceaegerter.com\/artwork\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"<div  class='flex_column av-2o7y5-916c88d1beae6e4591b559fd9ea8b5f8 av_three_fifth  avia-builder-el-0  el_before_av_two_fifth  avia-builder-el-first  first flex_column_div  '     ><p><section  class='av_textblock_section av-28q01-15a76d2b8d02b4f2c23d8c5bcce8280d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>1972, Marseille (FR)<br \/>\nLives and works in Amsterdam and Marseille.<\/p>\n<p>A\u00ebgerter&#8217;s extensive oeuvre comprises of photographs, tapestries, site-specific installations, community projects and artist&#8217;s books.<br \/>\nHer works are rooted in her fascination for transitions from one state of reality to another, doubling, visual illusions, appearing and disappearing.<\/p>\n<p>By making an inventive use of archives and existing images, from illustrated books to museum collections, she examines the archive that shapes our collective memory.<br \/>\nHer transcultural and transhistorical practice reflects on the meaning of the image in relation to identity and shared memories.<\/p>\n<p>In recent years she shifted her focus to the fragile edges of the human mind and applied her playful appropriation of images in collaborative projects involving, among others, patients dealing with mental health issues, neurologists, psychiatrists, and psychologists.<\/p>\n<p>Laurence A\u00ebgerter has exhibited in several international solo and group shows and made site-specific installations and art in community projects in assignment for a number of cities and museums.<\/p>\n<p>A selection of solo exhibitions include: &#8216;Ici mieux qu&#8217;en face&#8217; Mus\u00e9e du Petit Palais Paris; \u2018Cath\u00e9drales\u2019 Les Rencontres de la Photographie, Arles; &#8216;Le Louvre&#8217; MAMAC Nice; &#8216;Arithmetic of photographic perception&#8217; Forum f\u00fcr Fotografie Cologne; &#8216;Epic of the Mind&#8217; Museum of the Mind Haarlem; &#8216;Herbarium Cataplasma&#8217; Fries Museum Leeuwarden; &#8216;The Modernists and More&#8217; Hermitage Museum Amsterdam.<br \/>\nA selection of group shows: &#8216;From Here On&#8217;, Les Rencontres de la Photographie, Arles\/Santa Monica Arts Museum Barcelona\/ FoMu Antwerp; 5e Lagos Photo Festival Nigeria; &#8216;Conceptual Photography&#8217; Art Affairs Gallery Amsterdam, &#8216;Making Africa&#8217; Guggenheim Museum Bilbao, &#8216;Rendez-vous avec Frans Hals&#8217; Frans Hals Museum Haarlem and &#8216;Quick scan&#8217; II Fotomuseum Rotterdam.<\/p>\n<p>A\u00ebgerter won the French national photographic commission 2023, the Nestl\u00e9 International Prize for Photography, Festival Images Vevey 2015 and the Author Book Award at the Rencontres Internationales de la Photographie, Arles 2018. The Centre des Monuments nationaux gave her a photographic carte blanche in 2023.<br \/>\nActes Sud published her monograph, <a href=\"https:\/\/www.actes-sud.fr\/catalogue\/arts\/ici-mieux-quen-face\">Ici mieux qu&#8217;en face<\/a> in 2021.<\/p>\n<p>Her works are included in private and public collections of, amongst others, Paul Getty Center Los Angeles, The New York Public Library, The Metropolitan Museum of Art New York, Nederlands Fotomuseum Rotterdam, Museum Voorlinden Wassenaar, Museum of the Mind Haarlem, Fries Museum Leeuwarden, Museum van Loon Amsterdam, MAMAC Nice, Mus\u00e9e Bor\u00e9ly Marseille, Mus\u00e9e des Beaux-Arts Nancy, Mus\u00e9e national de la c\u00e9ramique S\u00e8vres, BnF Biblioth\u00e8que Nationale de France Paris and Mus\u00e9e du Louvre Paris.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-jxdmukgy-4c3b323f2b214e1613d7167b790bc571\">\n#top .hr.hr-invisible.av-jxdmukgy-4c3b323f2b214e1613d7167b790bc571{\nheight:20px;\n}\n<\/style>\n<div  class='hr av-jxdmukgy-4c3b323f2b214e1613d7167b790bc571 hr-invisible  avia-builder-el-2  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-jwq6efr0-104244f9729246a3c6aeec4fca5fa4f3 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong><a href=\"https:\/\/laurenceaegerter.com\/artwork\/wp-content\/uploads\/2021\/06\/Laurence-Aegerter-biography.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Full biography (download)<\/a><\/strong><\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-jxdmukgy-1-d07ac0d82d02922c3f2960c7c278d48d\">\n#top .hr.hr-invisible.av-jxdmukgy-1-d07ac0d82d02922c3f2960c7c278d48d{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-jxdmukgy-1-d07ac0d82d02922c3f2960c7c278d48d hr-invisible  avia-builder-el-4  el_after_av_textblock  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1ab41-7264f2748eae21a18d48bb9d7494e5d9\">\n.flex_column.av-1ab41-7264f2748eae21a18d48bb9d7494e5d9{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-1ab41-7264f2748eae21a18d48bb9d7494e5d9 av_two_fifth  avia-builder-el-5  el_after_av_three_fifth  el_before_av_textblock  flex_column_div av-zero-column-padding  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-vpkl-1c5a7941e81f2cd00c087685bf6bb032\">\n.avia-image-container.av-vpkl-1c5a7941e81f2cd00c087685bf6bb032 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-vpkl-1c5a7941e81f2cd00c087685bf6bb032 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-vpkl-1c5a7941e81f2cd00c087685bf6bb032 av-styling- avia-align-center  avia-builder-el-6  el_before_av_hr  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-4855 avia-img-lazy-loading-not-4855 avia_image ' src=\"https:\/\/laurenceaegerter.com\/artwork\/wp-content\/uploads\/2019\/06\/profiel-bio.jpg\" alt='' title='profiel-bio'  height=\"668\" width=\"488\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/laurenceaegerter.com\/artwork\/wp-content\/uploads\/2019\/06\/profiel-bio.jpg 488w, https:\/\/laurenceaegerter.com\/artwork\/wp-content\/uploads\/2019\/06\/profiel-bio-219x300.jpg 219w, https:\/\/laurenceaegerter.com\/artwork\/wp-content\/uploads\/2019\/06\/profiel-bio-450x616.jpg 450w\" sizes=\"(max-width: 488px) 100vw, 488px\" \/><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-jwq6in3l-3d5dfe2a72d93692fe863fb30effccd0\">\n#top .hr.hr-invisible.av-jwq6in3l-3d5dfe2a72d93692fe863fb30effccd0{\nheight:50px;\n}\n<\/style>\n<div  class='hr av-jwq6in3l-3d5dfe2a72d93692fe863fb30effccd0 hr-invisible  avia-builder-el-7  el_after_av_image  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><\/p><\/div>\n<section  class='av_textblock_section av-28q01-2-8125afd2b5df41f54f3b9db2cbda0d00 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Born in 1972 in a family of antiquaires in Marseille, France<br \/>\nLives and works in Amsterdam since 1993, as in Marseille<br \/>\nMother of Alice since 2001 and married to Uwe since 2018<br \/>\nDyscalculia, vertigo, asthma, fluctuatingly fluent in French, English, Dutch, German and Italian<\/p>\n<p><strong><u>Learning<\/u><\/strong><br \/>\nAt the age of eight or nine I imagined my future as a detective, a police commissioner or a spy. Investigation of unknown grounds, focal points cultural anthropology and Art. I came to Amsterdam to study Art History (cum laude, 1997 \u2018Trompe-l\u2019oeils in Dutch 17th century paintings\u2019). Some years later educated as a visual artist at the Gerrit Rietveld Academy. A recurring cycle, in learning and other professional activities: explore, analyze, inspire and exchange.<\/p>\n<p><strong>Education<\/strong><br \/>\n1991-1997 Drs. Art History, Facult\u00e9 des Lettres, Aix-en-Provence (FR) and VU (Vrije Universiteit) Amsterdam (NL), cum laude.<br \/>\n2001-2005 Drs. Fine Art, Gerrit Rietveld Academy, Amsterdam (NL)<\/p>\n<p><strong>Prizes and grants, a selection<br \/>\n<\/strong>Laureate of the French national photographic commission (2023)<br \/>\nWinner of the Author Book Award for <em>Photographic Treatment \u00a9<\/em>, Les Rencontres Internationales de la Photographie, Arles, FR. (2018)<br \/>\nFinalist of the VSB National care innovation prize for the project<em> Photographic Treatment \u00a9<\/em>. (2017)<br \/>\nWinner Nestl\u00e9 International prize for photography, Festival Images Vevey, CH. (2016) Stipendium for established art practice Het Mondriaan Fonds, NL. (2015-2019)<br \/>\nYoung talent grant, Fonds BKVB Netherlands Fund for Visual Arts, Design and Architecture, NL. (2009 \u2013 2011)<br \/>\nWinner Charity Award NRC Handelsblad, in the context of a photographic commission by the Rembrandt Association, NL. (2014)<\/p>\n<p><strong><u>Sharing<\/u><\/strong><br \/>\n<strong>Solo exhibitions, a selection<br \/>\n<\/strong>2025 &#8216;Berceuses pour une temp\u00eate&#8217;, Abbaye du Thoronet (FR)<strong><br \/>\n<\/strong>2024\u00a0 &#8216;Elasticity of Presence&#8217;, Gallery Bildhalle, Z\u00fcrich (CH)<strong><br \/>\n<\/strong>2023\u00a0 &#8216;Epos van de Geest&#8217; (Epic of the Mind), Museum van de Geest, Haarlem (NL)<strong><br \/>\n<\/strong>2022\u00a0 &#8216;Eloge du double&#8217;, Galerie Binome, Paris (FR)<strong><br \/>\n<\/strong>2020\u00a0 \u2018Ici mieux qu\u2019en face\u2019, Mus\u00e9e du Petit Palais, Paris (FR)<br \/>\ncurators Christophe Leribault, Clara Roca, Fannie Escoulen<br \/>\n2019\u00a0 &#8216;La main et l&#8217;oeil&#8217;, Galerie Caroline O&#8217;Breen, Amsterdam (NL)<br \/>\n2018\u00a0 &#8216;Cath\u00e9drales&#8217;, curator Fannie Escoulen, Les Rencontres de la Photograhie, Arles (FR)<br \/>\n2017\u00a0 \u2018Arithmetic of photographic perception\u2019, curator Norbert Moos, Forum f\u00fcr Fotografie, Cologne (DE)<br \/>\n2016\u00a0 \u2018Photographic Treatment \u00a9\u2018, Festival Images Vevey (CH), winner of the Nestl\u00e9 International Photo Prize<br \/>\n\u2018Photographic Treatment \u00a9\u2019, Art Affairs Gallery, Amsterdam (NL)<br \/>\n2015\u00a0 \u2018Herbarium Cataplasma\u2018, curator Kie Ellens, Fries Museum,Leeuwarden (NL) 2013 \u2018The Modernists and More\u2018, Hermitage Museum, Amsterdam (NL)<br \/>\n\u2018Works in textile\u2019, Galerie Maud Barral, Nice (FR)<br \/>\n2010\u00a0 \u2018Le Louvre\u2019, curator Rebecca Fran\u00e7ois, MAMAC (Mus\u00e9e d&#8217;Art Moderne et d&#8217;Art Contemporain), Nice (FR)<br \/>\n2010\u00a0 \u2018Seek &amp; Hide\u2019, Museum van Loon, Amsterdam (NL)<br \/>\n2009\u00a0 \u2018Appropriations\u2019, curator Marieke Wiegel, Institut N\u00e9erlandais, Paris (FR)<\/p>\n<p><strong>Group exhibitions, a selection<br \/>\n<\/strong>2024\u00a0 &#8216;L&#8217;ombre, le reflet, l&#8217;\u00e9cho&#8217;, MAMAC au Palais Lascaris, Nice (FR) with a.o. Natacha Lesueur and Robert Malaval.<strong><br \/>\n<\/strong>2023\u00a0 &#8216;The Changing Landscape: from Voerman to Van der Linden&#8217;, Museum de Fundatie \/ Kasteel het Nijenhuis, Heino \/ Wijhe (NL)) with a.o. Ger van Elk and Charley Toorop<br \/>\n2022\u00a0 &#8216;Devenir fleur&#8217;, MAMAC, Mus\u00e9e d\u2019Art Moderne et Contemporain, Nice (FR) Group exhibition with a.o. Yto Barrada and Otobong Nkanga<br \/>\n2022\u00a0 &#8216;Alternative realities&#8217; at Unbound\/Unseen, curator Damarice Amao, with a.o. Anna Malagrida and Neoza Goffin, Amsterdam (NL)<br \/>\n2021\u00a0 \u2018Nouvelles distances\u2019 (New Distances), Jeu de Paume, with a.o. Charlotte Moth and Rapha\u00ebl Dallaporta, Paris (FR)<br \/>\n2019\u00a0 \u2018Rendez-vous with Frans Hals\u2019, curator Ann Demeester with a.o. Mieke Bal and Roy Villevoye, Frans Hals Museum, Haarlem (NL)<br \/>\n2018\u00a0 \u2018Big Botany: Conversations with the Plant World\u2019, curator Stephen H. Goddard, with a.o. Mark Dion and Anna Atkins, Spencer Museum of Art, Lawrence, Kansas (USA)<br \/>\n2018\u00a0 \u2018Zomergasten\u2019, curators Bart Marius and Esther Vossen with a.o. Fransje Killaers and Anouk Kruithof, Museum Dr. Guislain, Gent (BE)<br \/>\n2016\u00a0 \u2018I wanted to be a photographer\u2018, curators Fannie Escoulen and Anna Planas, with a.o. St\u00e9phanie Solinas, Fondation Colect\u00e0nia Barcelona (ES)<br \/>\n2016\u00a0 \u2018Quick Scan NL#02\u2018 curator Frits Giersberg, with a.o. Jan Hoek and Mariken Wessels, Nederlands Fotomuseum, Rotterdam (NL)<br \/>\n2015\u00a0 \u2018Making Africa. A Continent of Contemporary Design\u2018, curators Amelie Klein and Okwui Enwezor Guggenheim Museum Bilbao (ES)<br \/>\n2015\u00a0 \u2018Avoir Lieu\u2018, Mois Europ\u00e9en de la Photographie, with a.o. Bisagno-Baltzer and Jo\u00ebl Bartolomeo, Luxembourg (LU)<br \/>\n2014\u00a0 \u2018Tristes Tropiques: Illustrations hors texte\u2018, curator Azu Nwagbogu, Lagos Photo Festival, Lagos (NG)<br \/>\n2011\u00a0 \u2018From Here On, curators Martin Parr, Joachim Schmid, Joan Fontcuberta, Clement Cheroux and Erik Kessels, Rencontres Internationales de la Photographie, Arles (FR) and Centre d\u2019Art Santa M\u00f3nica Barcelona (ES) and FOMU (Foto Museum) Antwerp (BE)<\/p>\n<p><strong>Commissions; a selection<br \/>\n<\/strong>2024\u00a0 Commande du MAMAC, carte blanche pour une oeuvre in situ au Palais Lascaris, Nice (FR)<strong><br \/>\n<\/strong>2023\u00a0 Carte blanche photographique by the CMN, Centre des Monuments Nationaux de France<br \/>\n2022\u00a0 Commande photographique nationale, &#8216;Performance&#8217;, Minist\u00e8re de la culture and Centre National des Arts Plastiques (CNAP)<br \/>\n2018\u00a0 The Methuselah Legacy, art project for the elderly care company Zorgbalans (NL)<br \/>\n2018\u00a0 De Palmenkolonie (The Colony of Palms) curator Anne Reenders, for Stichting de Maatschappij van Weldadigheid (The Society of Benevolence) and Stichting Land Art Contemporary (NL)<br \/>\n2017\u00a0 Elasticity of Presence, curator Ann Demeester, Frans Hals Museum, Haarlem (NL)<br \/>\n2016\u00a0 Le Saint Joseph Charpentier, Georges de La Tour curators Dimitri Salmon and Laurent Thurner, Mus\u00e9e Georges de La Tour, Vic-sur-Seille (FR)<br \/>\n2015\u00a0 LEVIATHAN, Museum Het Dolhuys van de Geest (Museum of Psychiatry), Haarlem (NL) 2015 Forgetting Van Gogh, city of Arles (FR)<br \/>\n2014\u00a0 Herbarium cataplasma, a community art project, city of Leeuwarden (NL) 2013 Longo Mai, four tapestries, Mus\u00e9e Bor\u00e9ly des Arts d\u00e9coratifs, de la Faience et de la Mode, Marseille European Capital of Culture (FR)<br \/>\n2011\u00a0 32 TFS Double Life, art installation in former military base Soesterberg, curators Ella Derksen and Tom van Gestel, CBK Utrecht, SKOR (Foundation Art and Public Domain) (NL)<br \/>\n2010\u00a0 Blind&#8217;s Man Bluff I &amp; II, two tapestries, Conseil G\u00e9n\u00e9ral des Bouches du Rh\u00f4ne, Ch\u00e2teau d&#8217;Avignon (FR).<\/p>\n<p><strong>Residencies<br \/>\n<\/strong>2025\u00a0 EKWC European Center for research in Ceramics<strong><br \/>\n<\/strong>2020\u00a0 Manufacture nationale de S\u00e8vres, Cit\u00e9 de la c\u00e9ramique (FR)<br \/>\n2017\u00a0 Compositions Catalytiques, \u2018Het Vijfde Seizoen\u2019 (the Fifth Season), curator Esther Vossen, Altrecht (NL)<br \/>\n2010\u00a0 Tristes tropiques: illustrations hors texte, Kunsthuis SYB, Beesterzwaag (NL) 2009 An Alphabetical Index of Some of the Stories, BijlmAIR, curator Eva Brinkman, CBK Zuid Oost and Stedelijk Museum Bureau Amsterdam (NL)<br \/>\n2009\u00a0 Opening Soon\/Opening Now, RED A.I.R., curator Angela Serino, with a.o. Egle Budvytyte and Ahmed Oghut, for the city of Amsterdam (NL)<\/p>\n<p><strong>Counselling<\/strong><br \/>\nUntil now &#8211; 2014 Mentor for young artistic talents, in assignment for The Mondriaan Fonds and Cultuur Ondernemen, Amsterdam (NL)<br \/>\n2019 &#8211; 2017 Advisor for Fine Arts project grants for the AFK, Amsterdam Fonds voor de Kunst, (NL)<\/p>\n<p><strong>Educational experience<\/strong><br \/>\n2012\u00a0 Fine art teacher KABK Koninklijke Academie Beeldende Kunst, The Hague (NL)<br \/>\n2007-2009\u00a0 Teacher of Art theory, and Fine art teacher at the Gerrit Rietveld Academy, Amsterdam (NL)<br \/>\nUntil now &#8211; 2005 developer and coordinator of children educational art programs (a.o. Rijksmuseum, Hermitage museum, De Nieuwe Kerk, British School of Amsterdam)<\/p>\n<p><strong>Artist\u2019s talks and Panel discussions; a selection<\/strong><br \/>\n\u2018Weekend with Unseen\u2019, The Lumiere Brothers Center for Photography, Moscow, RU. (2018)<br \/>\n\u2018INSIDE\/OUT\u2019 lecture series at Leeds Beckett University, Leeds, UK. (2017)<br \/>\n\u2018The Thing\u2019, Women University Tokyo curated by Prof. Dr. Yasuo Imai. Tokyo, JP. (2016)<br \/>\n\u2018Tristes tropiques and more\u2019 Salon f\u00fcr Kunstbuch, curator Bernhard Cella, Museum 21er Haus, Vienna, AU. (2014)<br \/>\n\u2018Laurence A\u00ebgerter\u2019s artist\u2019s books\u2019, curator Sebastian Hau, 5eme International Photobook Festival Kassel, Le Bal, Paris, FR. (2012)<br \/>\nParticipation in the China-Europe Forum, Visual Arts working group, Pekin and Hong Kong, CN. (2010)<\/p>\n<p><strong><u>Landing \/ Legacy \/ Archive .. if I were run over by a tram<\/u><\/strong><\/p>\n<p><strong>Works in public collections, a selection<\/strong><br \/>\n<u>Photographs, textiles and other works<\/u>: The New York Public Library, New York; Paul Getty research Center Institute, Los Angeles; Spencer Museum of Art, Kansas, (USA); Nestl\u00e9 Art Collection (CH); BnF, Biblioth\u00e8que Nationale de France, Paris; Mus\u00e9e Bor\u00e9ly des Arts d\u00e9coratifs et de la mode, Marseille; MAMAC, Nice; Mus\u00e9e des Beaux-Arts Nancy; S\u00e8vres Manufacture et mus\u00e9es nationaux; Mus\u00e9e Georges de La Tour, Vic-sur-Seille (FR); Dutch Ministry of Foreign affairs; AMC Hospital, Academisch Medisch Centrum; Museum van Loon, Amsterdam; Museum Voorlinden, Wassenaar; Museum Het Dolhuys, Museum of Psychiatry and the Mind, Haarlem; Fries Museum, Leeuwarden, Nederlands Fotomuseum, Rotterdam (NL)<\/p>\n<p><u>Artist\u2019s books<\/u>: Museum of Modern Art, MoMA, New York; John M. Flaxman Library, The School of Art Institute of Chicago, Robert B. Hass family library, Yale University (USA), V&amp;A Museum, London (UK), Tate Gallery, London (UK), Chelsea College of Art and Design, London (UK); The Archive of Modern Conflict, London (UK); Guggenheim Museum Bilbao (ES); Mus\u00e9e de l\u2019\u00c9lys\u00e9e, Lausanne (CH); MAK, Osterreichisches Museum f\u00fcr Angewandte und Gegenwartse Kunst, Vienna (AU); Museum Boymans van Beuningen, Rotterdam (NL); Koninklijke Bibliotheek The Hague (NL); BnF, Biblioth\u00e8que Nationale de France, Paris; Mus\u00e9e du Louvre, Paris (FR)<\/p>\n<p><strong>Bibliography, selection<br \/>\n<\/strong><a href=\"https:\/\/www.actes-sud.fr\/recherche\/catalogue?keys=Laurence+aegerter\">Fannie Escoulen and others, \u2018Ici mieux qu\u2019en face\u2019, monographic book, Actes Sud Publishers, 2020.<\/a><br \/>\nGilles Renault, &#8216;Laurence A\u00ebgerter aux marches du palais&#8217;, Lib\u00e9ration 2024.<br \/>\nDiane Lisarelli, \u2018Laurence A\u00ebgerter, les trames du temps qui passe\u2019, Lib\u00e9ration, 2020.<br \/>\nFannie Escoulen, \u2018L\u2019art de l\u2019\u00e9vasion de Laurence A\u00ebgerter\u2019, ArtPress, 2019.<br \/>\nNorbert Moos, \u2018Arithmetik der fotografischen Wahrnemung\u2019, adress Forum f\u00fcr Fotografie K\u00f6ln, 2017. Camille Joseph and Ana\u00efs Maurin, \u2018Sur le vif, photographie et anthropology,\u2019 Mus\u00e9e Quai Branly, 2018 Frits Scholten, Netherlands Year book for the History of Art, \u2018Arts of Display\u2019, 2016 Raymond van den Boogaard, NRC, \u2018Een nieuwe toekomst voor de separeer\u2019, 2015 Jean Luc Joly, \u2018Les Cahiers Georges Perec,\u2019 2010<\/p>\n<p><strong>Reflection<\/strong><br \/>\nVisual illusions, doubling, appearance and disappearance, and infiltrations as a filter from one state of the real to another, but also by oracle\u2019s, sleights of mind and the persuasive power of images and the responsibility they carry along. Convinced by the transformational power of art, on the individual level as much as on the level of community and society.<\/p>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":20,"comment_status":"open","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-77","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Biography - Laurence A\u00ebgerter<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laurenceaegerter.com\/artwork\/biography\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Biography - 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